Did you know that one of the easiest ways to get into piano improvisation is by using a left-hand ostinato pattern? This is because the ostinato takes care of the harmony aspects. Now all you have to do is improvise a right-hand melody. The cool thing about ostinato patterns is that there are literally millions of them! That's right! You can experiment with the time element and come up with something unique every time you sit down to play. Of course, those of you who have been reading my articles for some time know that I don't suggest you try and come up with something. The best way is to just play! For example in the lesson "Giant Sequoia" we have a left-hand ostinato pattern that uses 2 chords - A minor and F Major. We use the entire left-hand spanning an octave and we've created a nice harmonic backdrop where we improvise our melodies. The key of the piece is A aeolian. This is a minor modal scale and gives the piece a somewhat sad, yet poignant sound. The right hand is improvising thirds. With these "limits" in place, we can focus on the task of improvisation. I must say that it can be easy to get sidetracked. We all want to create something, but what most don't realize is that the wanting to create really stifles the creative impulse. I say this not to undermine those who want to compose and create their own music. I say this because it's true! The ego always wants to take credit for whatever it comes up with. But remember that it's only when the ego is bypassed that your "best" music will surface. Pure improvisation without thought of outcome is the best practice you can have for allowing the music inside you to come out unfettered. That's why lessons like "Giant Sequoia" are worthwhile. You can actually have fun without worrying if it's good enough! |
